# What Is a Type Beat and How Do You Use a Detroit Type Beat Like "Dirty Diana" Legally? What a type beat is, how Detroit and YN Jay type beats are built, and the exact license rules for using "Dirty Diana" by Kooba II for free or for profit. Source: https://lgogacorabc.top/what-is-a-type/ · based on the channel [Kooba II](https://www.youtube.com/channel/UClau9n5enz3yVgPuvKx1aUQ) · Video: [(FREE) Detroit Type Beat x YN Jay Type Beat - "Dirty Diana"](https://www.youtube.com/watch?v=LTis9_7nDtg) · 2026-10-22 ![What Is a Type Beat and How Do You Use a Detroit Type Beat Like "Dirty Diana" Legally?](https://lgogacorabc.top/what-is-a-type/what-is-a-type.webp) ## Key takeaways - A type beat is an original instrumental built in the style of a specific artist or regional scene, sold or shared under a named producer's terms. - Kooba II released "Dirty Diana" as a free Detroit x YN Jay type beat; the untagged version costs money via BeatStars. - Free use covers YouTube and non-monetized SoundCloud only — Spotify, Deezer, Tidal and iTunes require a paid lease. - Content ID registration is forbidden without an exclusive license; credit must read Prod. Kooba. - The store runs a buy 2 get 1 free offer on leases. A type beat is an original instrumental made in the style of a particular artist or regional sound, sold or shared by a producer under stated license terms. In practice, "Dirty Diana" by Kooba II is a free Detroit x YN Jay type beat: you can rap over the tagged version on YouTube or non-monetized SoundCloud, but any streaming release or monetization requires a paid lease, and the untagged file is available at the [Kooba BeatStars checkout](https://bsta.rs/JKnG5H). ## What exactly is a type beat in practice? A type beat is a beat that copies the sonic template of a scene or artist without copying any actual song. Producers label instrumentals this way so rappers searching for a specific pocket — Detroit, Flint, YN Jay, Baby Smoove, Rio Da Yung OG — can find a matching instrumental fast. The producer keeps the copyright; the rapper gets a license to record and, depending on the tier, to distribute. The label does three jobs at once. It signals tempo and drum feel, it signals the sample aesthetic, and it signals the business terms attached to the file. A Detroit type beat is not a genre in the strict sense — it is a search term that tells you what the 808s, the hi-hat rolls and the vocal chops are going to sound like before you press play. ## How the Detroit and YN Jay sound is built Detroit type beats sit on fast, restless hi-hat patterns, hard-slapping kicks and short, chopped soul or disco samples that loop with almost no breathing room. The tempo usually lands in a narrow window where double-time hats feel urgent rather than crowded, and the low end is mixed loud enough to carry a punch-in vocal take. The YN Jay and Flint-adjacent strain pushes that further: aggressive sample chops, ad-lib-friendly gaps, and a bounce that rewards short, rhythmic bars over long melodic ones. Listeners in the comments on Kooba II's upload repeatedly point at the sample chop as the defining element and at the drums for staying "in that pocket" the whole way through — which is exactly the quality that makes a type beat usable rather than just impressive. Practical markers of a well-built Detroit type beat: 1. The sample loop leaves a clear pocket for a punch-in flow instead of filling every bar. 2. Hats switch patterns between sections so a 16-bar verse does not feel static. 3. The kick and 808 are tuned together so the low end does not fight the vocal. 4. There is a clean intro and drop point for a hook, not just one long loop. ## What the free license on "Dirty Diana" actually allows Free means free for non-profit use only, and the producer spells out the boundaries. You may upload to YouTube and to SoundCloud without monetization. You may not distribute to streaming services such as Spotify, Deezer, Tidal or iTunes on the free tier, and you may not register the song with Content ID without an exclusive license. Credit is mandatory and the required format is Prod. Kooba. Ignoring these terms is treated as a license breach and can result in a copyright strike against your channel, which is a far bigger problem than the cost of a lease. The untagged, purchase-ready file is the one linked in the description; the free download is the tagged version. ## How to license a type beat step by step 1. Decide where the song will live. YouTube and non-monetized SoundCloud only? The free tier covers it. Any paid platform, any monetization, or Content ID? You need a lease or an exclusive. 2. Pick the right tier. A lease grants limited distribution rights for a set stream or sales ceiling; an exclusive transfers broader rights and removes the beat from the store. 3. Pay through the producer's store and keep the receipt and license PDF — distributors and Content ID reviewers ask for them. 4. Download the untagged WAV or tracked-out stems and record. 5. Register the release with the credit exactly as specified: Prod. Kooba. Kooba II's store currently runs a buy 2 get 1 free promotion, which matters if you are building an EP rather than a single: three leases for the price of two lowers the per-song cost considerably. ## Common questions rappers ask before downloading Can I monetize a video that uses a free type beat? Not on the free tier described here — monetization is outside the non-profit allowance, so a lease is the correct route. Will my song get claimed? Only if you register it with Content ID without an exclusive license, which the terms explicitly forbid; a properly licensed release with the required credit does not create that problem. Is one sample enough for many beats? Producers routinely flip a single loop into a whole batch of instrumentals with different drum patterns and arrangements, so hearing a familiar chop across several uploads is normal and legal — each beat is still a separate work with its own license. And if you are an artist trying to build a local following on type beats, the bottleneck is rarely the beat itself: it is picking a pocket, writing to it, and releasing consistently with the paperwork in order. ## Where to find Kooba II's beats and contact All official links for this release in one place: - Purchase the untagged beat "Dirty Diana": https://bsta.rs/JKnG5H - Beat store, including the buy 2 get 1 free offer: https://www.beatstars.com/prodkooba - Instagram for placements and custom work: https://www.instagram.com/prodkooba ## Summary A type beat is a licensing product as much as a musical one, and "Dirty Diana" shows the standard split: free for YouTube and non-monetized SoundCloud with a Prod. Kooba credit, paid for streaming and monetization, exclusive required for Content ID. The Detroit x YN Jay template — chopped sample, urgent hats, pocket-first drums — is built for punch-in flows and short, rhythmic verses. Kooba II published the beat and its terms, so the next step is choosing the tier that matches your release plan. Grab the untagged file at the [BeatStars page for "Dirty Diana"](https://bsta.rs/JKnG5H) before you record. ## Questions & answers **Can I put a song over a free type beat on Spotify?** Not under the free terms. The free license covers YouTube and non-monetized SoundCloud only, while Spotify, Deezer, Tidal and iTunes require a paid lease. Distributors will also ask for the license file, so buy the tier that matches your release plan before you upload. **Do I have to credit the producer if the beat is free?** Yes. Credit is a condition of the free license, not a courtesy. The required format for this beat is Prod. Kooba, and leaving it out can be treated as a breach that leads to a copyright strike. **Why do producers forbid Content ID on leased beats?** Content ID lets a rights holder claim and monetize any matching audio across platforms, which would let a leaseholder claim a beat that other artists have also licensed. Only an exclusive license removes the beat from the store and makes that kind of registration legitimate. **Is it normal for several type beats to use the same sample?** Yes. Producers often flip one loop into many instrumentals by changing drums, arrangement and tempo, so a familiar chop across multiple uploads is expected. Each beat is a separate copyrighted work with its own license terms.